PIPPA GARNER, BAD CARS rare in a non-aesthetic sense

in a non-aesthetic sense

From the start

to the type of incident that is often characterised as ‘too good to be true’

I’m surrounded only by gridlines

PIPPA GARNER, BAD CARS rare in a non-aesthetic sensePippa Garners multidisciplinary practice, which is receiving a renewed visibility and institutional attention, features a wide, and for the most part still undiscovered, photographic archive of thousands of images. Consisting of personal documentations spanning fifty years, her photography work encompasses also street photography shots from the late 70s and early 80s, captured on her daily explorations of Los Angeles. Bad Cars collects a series of